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13
Nov

The Imperial Cult in the Latin East and West

   Posted by: Charlotte Tags: 29 B.C., ancient egypt, ancient greece, Ancient Rome Store, Cleopatra, Emperor Augustus, Gladiator Arena Helmet III (Brass), Gladiator Thracian Helmet I, Gladiator Thraex Helmet, Hellenic Greece, Hellenistic Greece, Hoplomarchus Gladiator Helmet, imperial cult in ancient rome, Roman Empire

Shrine of the Imperial cult. Caserma dei Vigili, Ostia Antica, Latium, Italy. Photo by Marie-Lan NguyenThe East was well used to ruler worship and the deification of living people long before the involvement of the Roman Empire in their government. Greece, particularly, was practiced in the art of ruler worship as it had, for several centuries, a series of rulers of different dynasties in quick succession. It was common practice as a legitimate way of showing gratitude and devotion towards a living benefactor to worship them as a god. The Roman inhabitants of Hellenistic Greece were quite used to being worshipped in this manner by their provincials however, their Roman ideals still rejected anyone who tried to put themselves forward. The urge to worship, to show their gratitude, to Augustus seems to have been the strongest ever shown towards a Roman official. It is understandable however, for he brought with him peace after several centuries of war throughout the Empire.

Augustus of Prima Porta, statue of the emperor Augustus in Museo Chiaramonti, Vatican, Rome - Photo by Andreas WahraIn Asia, a fellowship of Greek cities existed which were responsible for business such as sending ambassadors to the Roman Republic Senate. However, early in the reign of Augustus, this fellowship was strongly linked with the imperial cult for in 29 B.C. they requested permission from Augustus to build a temple in his honour. Nevertheless, either because he wished to avoid resentment, or because he genuine disliked the un-Roman practice, Augustus was very cautious in accepting these divine honors. When the Roman population of two provinces made the same request, Augustus refused them, telling them instead to worship Rome. This did not stop the spread of the imperial cult however, and soon the worship of Augustus was widely diffused in East.

In Egypt, another eastern province, the imperial cult was expressed in slightly different terms. After the death of Cleopatra, Augustus was declared the Pharaoh and therefore he was ex officio a god. By taking this title Augustus was giving his permission for the Egyptians to worship him as was their tradition. His position of Roman Emperor would have been acknowledged within Egypt however, there his first and most recognised title was that of Pharaoh, and it was this title above all others, that gave him his link to the heavens.

Roman soldiers 70 a.C. with centurio, aquilifer, signifer, cornicen - photo by Matthias KabelOn the other hand, the establishment of the imperial cult in the West was pushed more by Augustus than it was by the native people of the provinces. Perhaps Augustus came to see the value of the imperial cult in stimulating loyalty to Rome and himself, for he promoted emperor worship in the western provinces where there had been no previous tradition. To promote his worship and divine right to rule, Augustus and his advisers developed a set of images that were capable of conveying the ideals of the renewed Roman Empire to the Western population. These images often showed his connection to the Roman gods through garlands, wreaths and sacrifices. In 12 B.C the sixty Western tribes of the Celtic gathered at Rhone and elected their first high priests of the imperial cult within their area. Gaius Julius Vercundaris Dubius was elected and eventually rewarded, by Augustus, with Roman citizenship. This was the highest honour a provincial elite could hold. The famous Roman poet Ovid wrote, “under the leadership of Augustus both east and west are Roman soil”.

Despite that, Augustus was not the only Roman trying to promote Emperor worship in the West. Many of the elites living in Africa would have wanted to assert their statues as Romans on the native population. This was done through the introduction of temples and the worship of Roma and the Emperor Augustus. Not only were these monuments erected around the city, but also in private homes. Many families were given Roman citizenship as a reward for their loyalty to the Roman empire.

For further reading see “The Imperial Cult in the Latin West” four volumes by D. Fishwick.
About the Author
Charlotte Gardner, a guest blog writer, is currently studying archaeology at the Australian National University. In her spare time she likes to read and write about eccentric historical moments. Her love of old buildings and older stories was sparked when she visited Italy. One of Charlotte’s greatest wishes is that in a few thousand years her skeleton will be dug up by an archaeological investigation team and put on display in a national museum. You may contact Charlotte via email at: charlotteg86@gmail.com.


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28
Oct

The Holy Zohar and the Influence of the Kabbalah

   Posted by: Hunter Tags: 1492, anti-Semitism, Aramaic, Book of Splendor, Catholic Church, European alchemists, Gnostics, History DVDs, History Store, holy zohar, Inquisition, Jewish diaspora, Judaic mysticism, Judaism, kabbalah, Kabbalic study, Moses de Leon, Old Testament, replica guns, Replica Swords, Roman Empire, scale model kits, Sefer Hazohar, Shimon bar Yochai, Spain, Spanish Jews, Talmud, Torah

The Holy Zohar and the Influence of the KabbalahOf the dozens of texts held sacred by the school of Judaic mysticism known as Kabbalah, perhaps the most important is the Sefer Hazohar, (literally the Book of Splendor. Indeed, students of this collection of several lengthy Kabbalistic commentaries on the Torah — most commonly known in the West as the Holy Zohar – often assign it the same stature as Judaism’s two most holy books, the Torah and the Talmud.

Written in an arcane form of Aramaic, the Zohar purports to have been authored by second century rabbi and prominent critic of the Roman government in years following the destruction of the Second Temple, Shimon bar Yochai. Yochai claimed to have received the text from God himself, though most modern day scholars, however, attribute the work to Moses de Leon — a Spanish Kabbalist who lived some eleven hundred years later. Historians do concede, however, that, much like the books of the Bible, the disparate pieces of the Zohar were not all set down at one time. Rather, de Leon merely was the first to recorded several different tracts of the Oral Torah that passed been down from father to son, teacher to student over the course of many generations and that Yochai could have been an initial contributor.

The Kabbalah’s own inborn tradition details its spread. As the Jewish Diaspora spread throughout Europe and Eurasia after the fall of the Temple and, later, the crumbling of the Roman Empire, adepts of the “secret chain of mysteries” that is the Kabbalah brought the sacred knowledge with them, but shared it only with a select few. It would have been in this fashion that the original text of the Zohar was secreted out of the Holy Land and into one of Spain’s many Jewish communities.

The Holy Zohar and the Influence of the KabbalahAnd there was good reason for Jewish scholars to keep to the Zohar away from public scrutiny. The book maintains that the Torah and, by extension, all of reality exists on two distinct levels: the exoteric and the esoteric. It further posits that there is no one true interpretation of the Old Testament and that every soul is given – and, more importantly, encouraged — to make its own unique reading of scripture.

This statement alone – which happens to share a fair amount of philosophical overlap with the similarly persecuted Gnostics — would have been viewed as heresy by the religions by Spain’s then Judeo-friendly Catholic Church and citizens.

Consider then the anti-Semitism that swelled throughout the country in the years after Leon’s death. In 1492, all Spanish Jews were forcibly expelled; those that chose to convert in order to remain found themselves facing integration the hands of the Inquisition. And so, formal Kabbalic study was largely eradicated from the Iberian Peninsula – but not before the Zohar had managed become a key text of yet another secretive, albeit quasi-secular, sect: the European alchemists.


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26
Oct

The Power and Prophecy of the Oracle at Delphi

   Posted by: Hunter Tags: 6 B.C., ancient rituals, Apollo sun god, Castalian spring, chewing laurel leaves, delphi, drinking of blood, Gaia, Greek culture, hexameter, History DVDs, History Store, Homer's Odyssey, inhalation of smoke, King Croesus of Lydia, Mount Parnassus, oracle, oracle at delphi, Ptyhia, Python, replica guns, Replica Swords, Roman poets, scale model kits, shamanic trance, Sophocles’ Oedipus saga, temple priests, Virgil's Aeneid

The Oracle at DelphiThough oracles were commonplace throughout ancient Greece and Rome, the most famous dwelled at Delphi, a limestone temple on the western face of Mount Parnassus. Built in the 6th century BC, the complex was presided over by a chaste and elderly priestess called the Ptyhia who channeled the “breath” of the sun god Apollo into prophecy.

According to legend, Apollo claimed Delphi as his own after slaying its original inhabitant, Python — a dragon born of the earth goddess Gaia – in a battle between the gods of the earth and sky. He then took the seas to conscript sailors into his first order of priests, though he would require a female virgin to serve as earthly mouthpiece.

Supplicants to Delphi would be first required to bathe themselves in the waters of the temple’s Castalian spring — later a popular inspirational spot for Roman poets — to purify themselves before entering the Oracle’s sacred presence. Only after paying a fee would they then be permitted to ask their questions of the presiding Pythia. She would then retire to her personal her chamber and enter shamanic trance. Accounts differ as to the method by which this was achieved, though the drinking blood, the chewing of laurel leaves, the inhalation of smoke or the breathing of hallucinogenic vapors emitted by the temple’s cavernous rock –a phenomenon recently confirmed by modern day geologists – have all been suggested. The Pythia would then speak in a cryptic tongue, which would be converted into hexameter verse by the temple’s priests.

John William Waterhouse oracle 1884Those seeking divination at Delphi came from all social strata. From criminals to kings, many sought advice from the Oracle, though how they interpreted her predictions differed wildly. Legend holds that King Croesus of Lydia went to war over the Oracle’s prediction that if he battled the Persians a great army would fall. Unfortunately for him, the army in question turned out to be his own.

Tales of the Oracle’s supposed prescience became so ingrained in Grecian culture that she appears as a character in the three most well known pieces of Greek literature, Virgil’s Aeneid, Homer’s Odyssey, and Sophocles’ Oedipus saga, along with dozens of others. Despite her role in these quasi-mythical epics, the Oracle’s existence as an authentic historical figure is confirmed by the more than five hundred recorded prophesies of the Pythia that survive to this day.


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12
Aug

From Romulus to Tarzan: Feral Children in Myth and Culture

   Posted by: Hunter Tags: 1344, 1920, 1950s, Edgar Rice Burroughs, feral children and mythology, feral children in history, gazelle boy, greco-roman myth, Hesse wolf boy, History DVDs, infant Zeus, Jean-Claude Armen, Kamala and Amala, man beasts, manush-baghas, mythology, Paris of Troy, replica guns, Replica Swords, Reverend RAJ Singh, romulus and remus, rudyard kipling, scale model kits, she-wolf, son of Hercules, tarzan, Telephus, the jungle book, wolf boy, wolf twins

Romulus and Remus - Painting by Peter Paul Rubens 1615-1616The myth of Romulus and Remus tells of two abandoned twins, who after being rescued and raised by a she-wolf, would go on to lay the foundations of the Roman Empire. The motif of humans of reared by wild animals has been re-iterated time and time again in folklore. In Greco-Roman myth alone, beasts served as the adoptive parents of Telephus, son of Hercules, Paris of Troy and even an infant Zeus. Similar tales are told in the mythologies of ancient Ireland, China, India, and Egypt, to name but a few.

Yet for all the fantastical elements of such stories, real life occurrences of cast off infants being taken in by animals have been documented. The first recorded case occurred in 1344, when a “wolf boy” was captured in German principality of Hesse.

Nearly seven centuries later, in 1920, reality and myth would converge yet again when two girls were rescued from a wolf’s den outside Midapore, India. The so-called “wolf twins’” liberator, the Reverend RAJ Singh, was drawn to the spot by a story circulating amongst the townspeople of “manush-baghas” (man-beasts) roaming the countryside. After being relocated the Reverend’s orphanage, the pre-pubescent girls, whom Singh named Kamala and Amala, stayed true to their upbringing by running on all fours, howling and refusing all food except meat.

Within a year, Amala, the younger of the two and little more than a toddler, had died; her older sister would go on to walk upright and learn a precious few English phrases before dying at the approximate age of 18 a decade later. Though the origin of the girls’ peculiar circumstances has remained a mystery since, their story was anticipated around the turn of the century by two rousing successes in popular fiction: Rudyard Kipling’s The Jungle Book and Edgar Rice Burroughs’s Tarzan series of novels.

The Jungle Book: This painting is based on the Rudyard Kipling The Jungle Book. It was exhibited at the Royal Academy in 1903 by John Charles DollmanUnlike their immediate forbearers in the public’s consciousness, however, Kamala and Amala were undoubtedly real. From the 1950s onwards, the prevailing theory has suggested they were, in fact, autistic or otherwise mentally challenged, rather than truly feral. Meanwhile, other scholars took offense to that notion. After observing the “gazelle boy” of the Spanish Sahara in the 1970s, French anthropologist Jean-Claude Armen wrote: “How could a retarded child, even though ‘aided’ by animals, continue to exist the harsh environment of the desert?”

The answer to that question will, in all likelihood, never be known for certain. Every so often, however, new stories of children living in the wild crop up from remote regions of the globe, and, unlike their fictional counterparts of Mowgli and Tarzan, they almost never feature a happy ending.


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17
Jul

The Thracian Gladiator Helmet

   Posted by: Charlotte Tags: 2 B.C., 262 B.C., ancient greece, ancient rome, Ancient Rome Store, Gladiator Arena Helmet III (Brass), gladiator exhibition, gladiator helmets as works of art, Gladiator Thracian Helmet I, Gladiator Thraex Helmet, gladiatorial etiquette, gladiatorial games, Gladiators, goddess Nemesis, goddess of retribution, Gorgon, Greek Mythology, griffin head, Hoplomarchus Gladiator Helmet, the sigh and glory of girls, Thrace, Thracian gladiator helmet, thracian gladiators, thracian shield

The Thracian Gladiator Helmet: Louvre Museum in France - discovered in Pompeii in 1766–67Thracian gladiators were one of the four most common gladiatorial groups in Ancient Rome. They evolved during the 2nd century BC when the Romans discovered the race of warriors in the northern Greece region of Thrace.

Gladiators played an important role in the everyday lives of the Roman people. The first private exhibition of gladiators was given at a funeral in 262 BC and soon they became the most popular type of entertainment. The gladiatorial games were financed by wealthy senators and emperors in order the impress the masses and win their support. It was for this reason that each game was intended to be more magnificent and spectacular than the last. The skilled gladiators could become famous, receiving gifts of money for when they retired. An inscription on a wall in Pompeii describes the Thracian gladiators as ‘the sigh and glory of girls’.

The Thracian Gladiator in Combat: Pollice Verso, 1872 - Gladiators FightingThe armor of the gladiators was used to helped draw the crowds to the games and their helmets became works of art. Thracian helmets changed a great deal over the centuries, especially during the reign of Emperor Tiberius, which allows them to be dated depending on their features. Earlier helmets have no visor, leaving the eyes exposed to the attacker while the cheeks are covered with plates, and the narrow rim protecting the face like a hat was only slightly curved. On the other hand, more recent helmets contain a grill covering the eye, a wider rim and a more covered neck piece, as shown in the photo.

A distinctive ornament on a Thracian helmet was the silver-plated griffin’s head sitting on top. The griffin was thought to be the animal companion of the goddess Nemesis, the goddess of retribution or vengeance. Other images used included the head of a gorgon, one of the three sisters from Greek mythology who had snakes for hair and the power to turn anyone who looked at her into stone. These ornaments were not the only decorative features used as the helmet may have even been fitted with feathers that sat into the sockets on the side with a detachable plume fixed to the crest. Not only were the helmets designed to make the gladiators appear more aggressive and fearsome but also impressive.

Thracian Gladiator HelmetThe helmet was a crucial part of the gladiator’s armor. It protected their head, something that the Thracian shield could not do as it was too small and would leave other vulnerable parts of the body exposed when lifted up to cover the face. It also allowed the crowd to distinguish between the gladiators fighting as the carvings and the plumes would have make identification easy. The helmet even played a part in the introduction procession of the gladiators at games as they carried their helmets under their non-weapon arm as part of gladiatorial etiquette.

About the Author
Charlotte Gardner, a guest blog writer, is currently studying archaeology at the Australian National University. In her spare time she likes to read and write about eccentric historical moments. Her love of old buildings and older stories was sparked when she visited Italy. One of Charlotte’s greatest wishes is that in a few thousand years her skeleton will be dug up by an archaeological investigation team and put on display in a national museum. You may contact Charlotte via email at: charlotteg86@gmail.com.


Our products make great gifts for anniversaries, birthdays, holidays and other special occasions. Whether you seek an elegant piece of jewelry or a gag gift for the history enthusiast in your life, we will help you find it.
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