The late nineteenth and early twentieth centuries were the height of European colonial activity in the Middle East. This was a period during which the British were involved in the affairs of Egypt and the Sudan as they formed alliances in the region for economic purposes. In 1820 the British and the Gulf-region sheikhs established economic pacts that would guarantee the British access to Gulf-region resources and in 1839 they annexed Aden. The British went to war with Iran in 1856 over rights of way to India and China through Iran and later, in 1907, England and Russia would vie for power in Iran and divide it for their interests. The Italians entered the Middle East also at the beginning of the 20th century, establishing presence in Libya through a series of campaigns over a twenty year period.
The French, in turn, gained control over Algiers in 1830 and also pressed into Lebanon in 1860. In 1881 the French established a protectorate in Tunisia and would through the northern gateway of Africa establish a presence in what are today the modern nations Senegal, Mauritania, Chad, the Republic of Congo, the Central African Republic, Niger, Guinea, Mali, Cote d’Ivoire, and Benin. France’s intention was to establish a firm east-west axis of control across the African continent in opposition to the British Empire’s north-south axis of power. The two imperial powers were at odds, though by 1904 the two had reached a series of agreements under the Entente Cordiale which eventually led the way for Britain to support France’s grab for Morocco as a French protectorate. Previously, in 1869, the French and British had collaborated with their financing to assist the Egyptians in construction of the Suez Canal.
The colonies of the Middle East were exploited for their resources and their strategic location as well as for the wealth of their artistic traditions, brought back to Europe in the antiquities trade. Sometimes with the assistance of their hosts, the British and other European powers returned to their countries with cultural treasures
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destined for the museums of the future. This is how the Parthenon’s treasured “Elgin Marbles” were taken from their place of origin at the Acropolis, at the time an Ottoman military fort, to the British Museum.
The colonial era in the Middle East also led to greater European travel in the region and a fascination for all things from Africa and the Near East. |
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Tags: 1820, 1839, 1856, 1856 British war against Iran, 1869, 1881 French Tunisian Protectorate, 1904, 19th Century - Authentic Muskat of Oman Coins, Acropolis, Aden, Algerian colony, Algiers history, and Benin, british colonialism in middle east, British Museum, Chad, Cote d'Ivoire, Egypt history, Elgin Marbles, Entente Cordiale, french colonialism in middle east, French conquest of Algeria, Guinea, Gulf region history, Historic Israel on DVD, Historical 1950s Iran Film Series DVD, history of Senegal, Iran history, Lebanon 1860, Libya history, Mali, Mauritania, Middle East CD-ROM Lesson Plan Set 5 with DVD, middle east colonialism, Morocco history, Niger, Ottoman Empire, Parthenon, Russian history in middle east, Suez Canal history, the Central African Republic, the Republic of Congo

Beginning in the 12th century, Arab physicians began to prescribe their patients a most unorthodox remedy: the ground remains of mummies procured from Egyptian tombs.
Mummy powder proved so profitable that soon after its introduction, Egyptian tombs were ransacked not only for the riches they might contain, but also for bodies that might be processed into the expensive folk medicine. It wasn’t long before the practice of applying mummy powder was incorporated into medieval Europe’s catalog of dubious medical practices. By the 16th century, the product had become so commonplace in both Europe and the Middle East that the once seemingly endless supply of authentic, mummified Egyptian cadavers quite literally dried up.
Mummy powder, however, was not the only everyday use of the Egyptian dead that arose before the dawn of modern archaeological preservation. In the 16th and 17th centuries, pulverized mummy was the key ingredient in a popular shade of brown artist’s pigment, and preserved human and animal remains of Egyptian origin were used in the production of this “mummy brown” paint until the early 20th century.
Whether this statement was merely jest on the part of the American literary icon, well known for his sense of humor, has been the subject of debate ever since it was published. What is known, however, is that the supply of authentic Egyptian corpses by the beginning of the 1800s was so small only that upper crust Europeans could afford to purchase one whole. In the wake of Napoleon’s conquest of Egypt, it became vogue amongst the aristocracy to hold “unwrapping parties,” where carefully preserved corpses would be haphazardly stripped of their bandages, so that revelers could gaze upon the millennia-old face concealed beneath them. Small burial ornaments concealed in the linens would then be dispensed to partygoers as souvenirs, while exposure to air caused the delicate bodies to crumble into dust, never to be seen again.





