Built on the bank of the Nile along the northern edge of the city of Luxor, the Temple of Karnak was dedicated to the worship of one of Egypt’s oldest and most storied deities: Amun-Re. Though initially worshipped as the primeval god of the wind and air, Amun-Re increased in favor from the 11th Dynasty onwards, eventually ascending to the forefront of the Egyptian pantheon and becoming endowed with the attributes of an all-powerful sun god.
It was this incarnation of Amun-Re – envisioned initially by a powerful cult in ancient Thebes - that led Egypt’s masterful builders to construct the Temple of Karnak sometime between 1500 and 1350 BC - though, in essence, construction never truly ended on the ominous complex. Every ruler from the New Kingdom on saw fit to add their own embellishments, until the temple grew to cover the five acres that we associate it with today.
Access to the temple is granted through a sequence of six monumental gateways, each of which was eventually taken on a pet project by many a particular pharaoh during their respective reigns. For instance, the second gateway, started by Rameses I, leads to the so-called “hypostyle hall” - a secretive enclave that only the pharaoh and temple priests were allowed to enter. The meeting space of hall is surrounded on all sides by 122 columns divided into seven, symbolically meaningfully rows. An earlier pharaoh, Amenhotep III, chose a different tact by inlaying his third gateway with gold and silver, though all of his decorative addition has been lost to looters in the interceding centuries.
The six gateways eventually led onto Karnak’s inner temple – the highest and darkest point in the entire complex. Even today, it is remains clad in the pink granite grafted onto the original structure around 330 BC by Philip Arridaeus, brother of Alexander the Great. The inner sanctum was focused on a stone dais that once bore ceremonial boat dedicated to Amun-Re, as well a large statue of the god – the latter of which occupied the center of temple life for the high priest of the temple and the Egyptian king alike. On feast days, the statue be hoisted onto the ceremonial boat, and then carried around the temple perimeter. Natives of the surrounding towns and encampments, believing the statue to be gifted with powers of prophecy, would shout questions at the procession as it passed. As the boat rounded the temple, it would rock from side to side; a tilt to one side or another was seen by temple devotees as being indicative as a yes or no answer to their queries.
|
The Karnak complex also included smaller outcroppings devoted to the worship of Montu, war god and son of Amun-Re and an installation by the monotheistic pharaoh, Akenaten (Amenhotep IV) that was subsequently dismantled, along with the rest of the king’s works, following his death in 1334 BC. Worship of Amun-Re and use of his temple at Karnak eventually subsided as the influence of Thebes waned; his cult was later driven south and went on to thrive in Ethiopia. | |||||||||||
Tags: 1350 BCE, 1500 BCE, 330 BCE, Alexander the Great, Amun-Ra, Amun-Ra Statue, Amun-Re, ancient egypt, Ancient Egypt Store, Ancient Egyptian New Kingdom, Bust of King Akhenaton, Egypt master builders, Egyptian 11th Dynasty, Egyptian god of air, Egyptian god of wind, Egyptian pantheon, Egyptian sun god, hypostyle hall, Isis Protecting Osiris Statue, King Akhenaton Standing with Crook and Flail Statue, Luxor, Nile River, Pharaoh, Philip Arridaeus, Rameses I, temple of karnak, temple priests, Thebes

Today standing guard on the Giza pyramid complex’s eastern face, the Great Sphinx in fact predates Ancient Egypt’s most famed architectural achievements by at least 500 years. Modern archaeology tells us that the Sphinx was built during Old Kingdom Egypt’s fourth dynasty, sometime between 2723 and 2563 BC - making it the world’s oldest known monumental edifice.
German traveler Johannes Helferich’s take was altogether different when he published a drawing in an account of his Oriental travels in 1579; here the Sphinx was definitively female, with its distinctive headdress portrayed as shoulder-length, harshly cropped hair. (Helferich’s travelogue also recounts, interestingly enough, that Egyptian priests showed him a secret tunnel within the statue in which they could hide and make it appear that the Sphinx was talking.)
The first true approximation the monument’s actual appearance comes from Richard Pococke’s Travels, published in 1743 – though he did take the liberty of penciling in the face’s nonexistent proboscis (believed to have, in fact, been destroyed at least a century before the publication of Thevet’s account). By the time Napoleon paid a visit to Giza in 1798, most of educated Europe knew the Sphinx’s true face – though its body would remain buried in the desert’s dunes, until one of many excavation attempts finally succeeded in 1936.
For over two thousand years, the secrets of the ancient Egyptians were lost to history. All the tombs, trinkets, statues and cenotaphs were pretty but indecipherable, covered as they were in a pictographic script that had no meaning. It wasn’t decades of research, the intricate technologies of archaeology or the explanation of some ancient king risen from the dead that unlocked the lost language of the ancient Egyptians. In fact, it was the accidental discovery of some half buried rock that came to be known as the Rosetta stone, by a French soldier that would change the face of Egyptology and provide a much needed window into the language and belief systems of the most celebrated ancient culture.





The great events in history are those where, upon special occasions, a man or a people have made a stand against tyranny, and have preserved or advanced freedom for the people. Sometimes tyranny has taken the form of the oppression of the many by the few in the same nation, and sometimes it has been the oppression of a weak nation by a stronger one. The successful revolt against tyranny, the terrible conflict resulting in the emancipation of a people, has always been the favorite theme of the historian, marking as it does a step in the progress of mankind from a savage to a civilized state.
At a period before authentic history begins, it is probable that roving tribes of shepherds from the north took possession of the hills and valleys of Greece. Shut off on the north by mountain ranges, and on all other sides surrounded by the sea, these tribes were able to maintain a sturdy independence for many hundred years. The numerous harbors and bays which subdivide Greece invited to a maritime life, and at a very early time, the descendants of the original shepherds became skillful navigators and courageous adventurers.
Thence improvements went forward with rapid strides. Hints received from Egypt were reproduced in higher forms. Massive temples became light and airy, rude sculpture became beautiful by conforming to natural forms, and hieroglyphics developed into the letters which Cadmus invented or improved. Schools were established, athletic sports were encouraged, aesthetic taste was developed, until in the arts, in philosophy, in science, and in literature the Greeks took the lead of all peoples.





