Possibly one of the biggest mistakes of the Roman Republic was that they tried to govern an Empire with the same legislation they had used for a city state. With an increase in population but a decrease in eligible military soldiers, the Republican power began to weaken. This was particularly evident with during the tribuneship of the brothers Tiberius and Gaius Gracchus.
Ten years later, Gaius had his turn. He followed in his brother’s footsteps and ran for the tribuneship at the earliest possible age–30 years. His first move was to introduce capital punishment for any man who executed a citizen without trial, this was of course aimed at his brother’s killers. He then ran for a second tribuneship. This had never happened before–it was not against the law, but no one previously had wanted to stay so low on the ladder of office for longer than they needed to. 
Discovered in 1910, nearly two hundred years after the first excavations at Pompeii, the site later dubbed the Villa of Mysteries contained many finds typical of the ruined Roman city, including the ashen outlines its long dead inhabitants. But a cryptic –and remarkably well preserved — series of frescos uncovered inside hinted at a story entirely different than that of the other townsfolk that met their apocalyptic end, along with Pompeii itself, after the eruption of Mount Vesuvius in 79 AD.
An otherwise conventional seaside estate outside of the city proper, the stately villa went largely undamaged by volcanic ash and magma. But though the frescoes adorning a 15 by 25 foot ancillary chamber — later to be known as the Initiation Room — could viewed clear as day, they featured scenes that many found at once both baffling and fascinating.
The god Bacchus appears prominently in the scenes alongside his mortal bride, Adriane. While Bacchus had been among most widely worshiped deities in first century Rome, he was the most popular with a certain demographic — young women — and his venerators were said to have participated in orgies, gluttonous feasts, and animal sacrifice, after which the carcass of the sacred beast would be consumed raw.
Soon enough, it became plainly evident to archaeological authorities that the Villa of Mysteries was in fact as site of worship for that very same Bacchanalian mystery cult and set aside for a certain for a particular ceremony. Close examination of the masterfully executed frescoes revealed the steps of an esoteric ritual, presided over by Bacchus, that aimed to induct upper class females into the rigors of marriage — a psychological preparation for entrance in the next phase of womanhood.
As depicted on the walls of the Initiation Room, the soon-to-be wed initiate would have been begun by consuming a cup of Kykeon - an intoxicating and possibly hallucinogenic brew — and then be led through a series of mysterious sacraments meant to parallel the scared union of Bacchus and Ariadne. At the end, after a confrontation with the god of love, Eros, the young participant would be fit to marry.
Though the Villa of Mysteries’ Initiation Room contains some of the clearest insights into the cult of Bacchus ever discovered, researchers have been unavailable to identify the owners of the sprawling Pompeiian villa — something done for almost every other home in the ruined city. Since restoration of the site was completed in 1930, all that has been known is that its residents owned a thriving vineyard — one that may have provided the necessary cover to practice rituals that, even by Roman standards at the times, were considered perverse.
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Tags: 1910, 1930, 79 A.D., ancient Roman city, Ancient Rome Store, animal sacrifice, Ariadne, Bacchanalian mystery cult, Bacchus, cult of Bacchus, Eros, Gladiator Arena Helmet III (Brass), Gladiator Thracian Helmet I, Gladiator Thraex Helmet, gluttonous feasts, Hoplomarchus Gladiator Helmet, Initiation Room, Kykeon, Mount Vesuvius, orgies, pompeii, pompeii villa of mysteries, Roman frescos, Roman god of love, Villa of Mysteries
The East was well used to ruler worship and the deification of living people long before the involvement of the Roman Empire in their government. Greece, particularly, was practiced in the art of ruler worship as it had, for several centuries, a series of rulers of different dynasties in quick succession. It was common practice as a legitimate way of showing gratitude and devotion towards a living benefactor to worship them as a god. The Roman inhabitants of Hellenistic Greece were quite used to being worshipped in this manner by their provincials however, their Roman ideals still rejected anyone who tried to put themselves forward. The urge to worship, to show their gratitude, to Augustus seems to have been the strongest ever shown towards a Roman official. It is understandable however, for he brought with him peace after several centuries of war throughout the Empire.
In Asia, a fellowship of Greek cities existed which were responsible for business such as sending ambassadors to the Roman Republic Senate. However, early in the reign of Augustus, this fellowship was strongly linked with the imperial cult for in 29 B.C. they requested permission from Augustus to build a temple in his honour. Nevertheless, either because he wished to avoid resentment, or because he genuine disliked the un-Roman practice, Augustus was very cautious in accepting these divine honors. When the Roman population of two provinces made the same request, Augustus refused them, telling them instead to worship Rome. This did not stop the spread of the imperial cult however, and soon the worship of Augustus was widely diffused in East. 
On the other hand, the establishment of the imperial cult in the West was pushed more by Augustus than it was by the native people of the provinces. Perhaps Augustus came to see the value of the imperial cult in stimulating loyalty to Rome and himself, for he promoted emperor worship in the western provinces where there had been no previous tradition. To promote his worship and divine right to rule, Augustus and his advisers developed a set of images that were capable of conveying the ideals of the renewed Roman Empire to the Western population. These images often showed his connection to the Roman gods through garlands, wreaths and sacrifices. In 12 B.C the sixty Western tribes of the Celtic gathered at Rhone and elected their first high priests of the imperial cult within their area. Gaius Julius Vercundaris Dubius was elected and eventually rewarded, by Augustus, with Roman citizenship. This was the highest honour a provincial elite could hold. The famous Roman poet Ovid wrote, “under the leadership of Augustus both east and west are Roman soil”.
Thracian gladiators were one of the four most common gladiatorial groups in Ancient Rome. They evolved during the 2nd century BC when the Romans discovered the race of warriors in the northern Greece region of Thrace. 
The armor of the gladiators was used to helped draw the crowds to the games and their helmets became works of art. Thracian helmets changed a great deal over the centuries, especially during the reign of Emperor Tiberius, which allows them to be dated depending on their features. Earlier helmets have no visor, leaving the eyes exposed to the attacker while the cheeks are covered with plates, and the narrow rim protecting the face like a hat was only slightly curved. On the other hand, more recent helmets contain a grill covering the eye, a wider rim and a more covered neck piece, as shown in the photo.
The senate, considering that the great difficulty and danger, viz., that of repulsing the Carthaginian fleet, was now past, ordered Regulus to send home nearly all the ships and a very large part of the army, and with the rest to commence his march toward Carthage. Regulus obeyed: he sent home the troops which had been ordered home, and with the rest began to advance upon the city.
Regulus advanced toward Carthage, conquering as he came. The Carthaginians were beaten in one field after another, and were reduced, in fact, to the last extremity, when an occurrence took place which turned the scale. This occurrence was the arrival of a large body of troops from Greece, with a Grecian general at their head. These were troops which the Carthaginians had hired to fight for them, as was the case with the rest of their army. But these were Greeks, and the Greeks were of the same race, and possessed the same qualities, as the Romans. The newly-arrived Grecian general evinced at once such military superiority, that the Carthaginians gave him the supreme command. He marshaled the army, accordingly, for battle. He had a hundred elephants in the van. They were trained to rush forward and trample down the enemy. He had the Greek phalanx in the center, which was a close, compact body of many thousand troops, bristling with long, iron-pointed spears, with which the men pressed forward, bearing every thing before them. Regulus was, in a word, ready to meet Carthaginians, but he was not prepared to encounter Greeks. His army was put to flight, and he was taken prisoner. Nothing could exceed the excitement and exultation in the city when they saw Regulus and five hundred other Roman soldiers, brought captive in. A few days before, they had been in consternation at the imminent danger of his coming in as a ruthless and vindictive conqueror.
The Roman senate were not discouraged by this disaster. They fitted out new armies, and the war went on, Regulus being kept all the time at Carthage as a close prisoner. At last the Carthaginians authorized him to go to Rome as a sort of commissioner, to propose to the Romans to exchange prisoners and to make peace. They exacted from him a solemn promise that if he was unsuccessful he would return. The Romans had taken many of the Carthaginians prisoners in their naval combats, and held them captive at Rome. It is customary, in such cases, for the belligerent nations to make an exchange, and restore the captives on both sides to their friends and home. It was such an exchange of prisoners as this which Regulus was to propose.
