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29
Jul

Kutna Hora - Sedlec Kostnice: Central Europe’s Most Grisly…Chapel

   Posted by: Hunter    in European History, History Blog, Medieval History, Modern History, Religious History, World History

Kutna Hora: Central Europe's most grisly ChapelThough it today boasts a population of only 20,000, at its peak during the 14th century, the Bohemian town of Kutna Hora was the region’s second largest city next to the relative metropolis of Prague, some fifty miles away. In the subsequent centuries, that began to change as the city’s silver deposits ran dry and the consequences of the Thirty Years War decimated its populace.

While visitors the world over still visit Kutna Hora to marvel at one of Eastern Europe’s most lauded Gothic edifices, the Cathedral of St. Barbara, the town’s name has become virtually synonymous with its most well-known tourist attraction: the Chapel of All Saints adjoining the 14th century church, Nanebevzeti Panna Marie (“Church of the Assumption of the Virgin”) – which actually lies in the neighboring village of Sedlec, rather that Kutna Hora itself.

The oversized coat of arms in tribute to Bohemia’s ruling aristocratic family, the Schwarzenbergs, made entirely of human bonesThe gruesome saga of the Sedlec chapel begins in the 12th century, when Church orthodoxy scattered earth from Golgotha over their graveyard. Soon, throngs of nobility, anxious to secure burial beneath dirt culled from the site of Christ’s crucifixion, pushed the cemetery’s capacity to its limits. Burials continued abreast over the next three hundred years – through plague outbreaks and the Hussite wars - until the Church grounds grew to contain more than 40,000 graves.

In 1870, fearing unsanitary conditions (not to mention a lack of income from fresh burials), Church authorities commissioned local woodcarver Frantisek Rint to “do something creative” with the remains interred in the cemetery. Rising to the ghoulish challenge, Rint soon set about transforming the traditional chapel into an ossuary (known in the Czech language as a “kostnice”) – one that would come to be decorated with thousands upon thousands of human bones.

Detail of the Schwarzenberg coat of arms in Sedlec KostniceUsing the remains of his countryman as his sole building material, Rint constructed four giant bells in each of the chapel’s four corners, an oversized coat of arms in tribute to Bohemia’s ruling aristocratic family, the Schwarzenbergs, and, at its center, a candle-bearing chandelier made out of every bone in the human body. Proud of his work to the last, Rist left his signature – in bone, of course – upon the steps of the chapel’s entrance.

Much like the catacombs of Paris, Kutna Hora’s Chapel of All Saints has come to be regarded as something of a masterful, albeit grisly, footnote in Europe’s grand architectural history. Despite its reputation as a ghastly tourist attraction, big business hasn’t been deterred from associating their name with the Czech township. Today, one of Kutna Hora’s largest employers happens to tobacco giant, Phillip Morris, which there operates one of its principal European processing facilities.


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Sedlec Kostnice - The Ossuary

Tags: 14th Century, 1870, 40000 graves, Black Death, bohemia, Bootleg kits, Cathedral of St. Barbara, cemetery, Chapel of All Saints, church of human bones, Church of the Assumption of the Virgin, Cigar Barrel Humidors, Czech Republic history, Frantisek Rint, Golgotha, history of Czechoslovakia, History Store, human bone candelabra, kutna hora, medieval ossuary, Metal Model kits, Oak Barrels, ossuary at Nanebevzeti Panna Marie, Prague, Schwarzenbergs, sedlec kostnice, the plague

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28
Jul

The Charter Riots of 1839: Violence in Birmingham

   Posted by: Trish    in English History, Historical Events, History Blog, History of England, Modern History, World History

William LovetteIn 1838, William Lovette of London, England wrote was to become known as the “People’s Charter” advocating rights for all British men and fairness in elections and public office. What began as a letter writing campaign became a socialist movement across the nation, culminating in the riots of July 1839.

In 1832, an Electoral Reform Act was passed in England that left a number of antiquated political and government systems in place and made it almost impossible for a regular Joe to hold elected office in England. The Chartist reforms included the ability for those without land to hold office, the institution of general nationwide elections, a salary for politicians, equally divided electoral districts as well as suffrage for all men, everywhere.

The movement attracted upper class social reformers and blue collar workers alike. It was a rebellion against the status quo and the pervading elitism in England’s highest offices. Charterism was a rallying cry for change and a step towards a modern democratic state. The first official convention in February of 1839 showed that there were two main camps of thought: peaceable change and violent change.

“Peaceably if we may, forcibly if we must.”

From the first meeting, the Chartists tested the boundaries of the law having 53 men gather in one place when the rule was no more than 50. What may seem a small thing these days was an offense against order in conservative England of 1839. Add to that the opposition to the current government and the printing of unofficial untaxed newspapers and revolution stirred heavy in the English air. The many faces of the movement left London to spread their message in the industrial north, gathering a veritable army of workers.

In fact, many people who were desperate for social change saw the Charter movement as a vehicle for a radical transformation in the way England was governed. There was talk that the ironworkers were making weapons that an army should be gathered and tyrannical politicians should be killed. The call for a general strike found more favor but not enough for a clear vote. The movement sent requests, demands and proposals to parliament but their pleas fell mostly on deaf ears and people began to vent their frustrations.

The Great Chartist Meeting on Kennington Common, April 10, 1848It was the 4th of July when the report of several Chartist meetings in Birmingham reached the metropolitan police. At the time, the industrial northern city of Birmingham had no police force of their own and worry had spread that the nightly meetings at an area of town known as the Bull Ring were a plot to revolt against the government. The first “riot” resulted in a clash between a few chartists and the police and the injury and arrest of a few individuals. At the end of July chartists revolted en masse and thousands marched to the Bull Ring, burned down buildings and clashed violently with police.

The result of the summer clashes was the arrest and imprisonment of several of the movement’s leaders as well as the end of the violent side of English social reform.


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In the end, all of the demands of the Charter movement came to pass, except annual general elections. Universal male suffrage didn’t come about in England until the end of World War I. The Charter movement is a part of England’s rich past often overlooked. Its social significance lies in a legacy of working men’s clubs, civic associations, unions, worker’s rights and drastic change to outdated forms of government. The Chartists demonstrated just want community activism and the desire for democracy can achieve.

Tags: Bootleg kits, Bull Ring Riots, Charter Movement, Cigar Barrel Humidors, Electoral Reform Act, July 4, Metal Model kits, Oak Barrels, People's Charter, William Lovette, world war i, wwi

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27
Jul

The White Man’s Burden - British Popular Culture in the Colonial Era

   Posted by: Charlotte    in Colonial History, Cultural History, English History, History Blog, History of England, Literary History, Modern History, World History

The White Man's Burden: Satire of Kipling's phrase shows the To a great extent, popular culture influenced and even controlled Britain’s Empire expansion in the 19th century. Novels, magazines, toys and songs all promoted the new colonial world, publicizing it as nothing had ever been before. Children, boys especially, were targeted by the large number of colonial manufactured material. The Boys Own Paper, released 12 times a year, was extremely popular with articles about science, history, sports and crafts. Parents greatly approved of the moral tone of this paper which encouraged the use of violence especially in a historical extent.

Other popular children’s book authors included Charles Kingsley, George Alfred Henty and Robert Michael Ballantyne, all of who wrote adventure novels. Juvenile fiction such as ‘The Settlers and the Savage: A Tale of Peace and War in South Africa’ by Ballantyne, showed stereotypical images involving the chivalric English soldier defeating the ‘savage’ African with their superior guns. Henty particularly turned violence into adventure in his novels; by showing images of the heroic and well mannered Englishman he helped to create the ideal soldier, an important asset for the expansion and maintenance of the British Empire. War was presented as a ‘rite of passage’ and the characters usually reveled in the excitement of battle.

Children’s toys were also used to promote the ideal soldier and in 1893 William Britain and Sons created the first hollow-cast lead alloy figurines. This new method of manufacture allowed for mass-production and soon a series of famous British regiments were being sold nation wide. By the early 1900s the company was selling more than 5 million toy soldiers a year.

The Boy's Own Paper, front page, 11 April 1891Popular culture was not only aimed at children. With the rate of education in Britain increasing and the improvements made to the printing press, literature was suddenly available for all. Writers and intellects published their views towards the colonies and the ‘savage natives’. In a paper written by Herbert Spencer called ‘The Primitive Man’, he claimed that aggression and violence were only seen in primitive cultures as it was a survival instinct not needed in the more advanced British society. While ‘White Man’s Burden’, a poem by Rudyard Kipling, described the burden placed on the white man to civilize the ‘inferior’ races.

Of all the known races during the 19th century it was the Australian indigenous population that was considered to be the most savage and inferior of all. When classifying societies depending on their apparent level of civility, the Aboriginals were placed last. One such report, declared that they were “the Lowest Class of Human beings”. Evaluations such as this were based around English standards of architecture and agriculture, none of which the British saw the Aboriginals having achieved. Even the settlers, such as Daniel Paine who lived in New South Wales, believed these reports to be true and he himself wrote, “[the Aboriginals] are the most irrational and ill formed Human beings on the Face of the Earth”. (It is now known that the Aboriginals have the longest surviving culture, and had adapted to the harsh Australian bush in a way that allowed them to live in harmony with their surroundings for 40,000 years.)

The type of language used in popular culture was also important when supporting the colonial power. Emile Benveniste, a French structural linguist stated “The whole history of modern thought… in the western world are connected with the creation and handling of a few dozen words.” These could include words such as civilize, superior, inferior, savage and barbarian. Anyone not civilized, had to be converted, again the idea of ‘White Man’s Burden’.


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Take up the White Man’s burden–
The savage wars of peace–
Fill full the mouth of Famine
And bid the sickness cease;
And when your goal is nearest
The end for others sought,
Watch sloth and heathen Folly
Bring all your hopes to nought.
-Rudyard Kipling

Further Reading:
The Empire of Civilization, the Evolution of an Imperial Idea by Brett Bowden
Warrior Nation: Images of War in British Popular Culture by Michael Paris

About the Author
Charlotte Gardner, a guest blog writer, is currently studying archaeology at the Australian National University. In her spare time she likes to read and write about eccentric historical moments. Her love of old buildings and older stories was sparked when she visited Italy. One of Charlotte’s greatest wishes is that in a few thousand years her skeleton will be dug up by an archaeological investigation team and put on display in a national museum. You may contact Charlotte via email at: charlotteg86@gmail.com.

Tags: 1893, 19th century juvenile fiction, 19th century popular culture, Aboriginals, Australia, Australian Settlers, Bootleg kits, British Empire and the ideal soldier, british pop culture, Charles Kingsley, Cigar Barrel Humidors, Daniel Paine, Emile Benveniste, George Alfred Henty, Herbert Spencer, Metal Model kits, New South Wales, Oak Barrels, Robert Michael Ballantyne, rudyard kipling, savage natives, The Boy's Own Paper, The Primitive Man, The Settlers and the Savage: A Tale of Peace and War in South Africa, war as rite of passage, white man's burden, William Britain and Sons

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